Why is there so much preoccupation with atmospheric CO2 concentrations and reducing anthropogenic CO2 emissions when it is well documented in the peer-reviewed scientific literature that the CO2 contribution to the overall greenhouse effect is so weak that it can be easily supplanted by small changes in clouds and water vapor, or natural climate-changing constituents?

http://notrickszone.com/2016/09/19/new-paper-documents-imperceptible-co2-influence-on-the-greenhouse-effect-since-1992/

Monday, 23 January 2012

Cittadini attenti! Opera Administrators turned Climate Activists target your Children

Like something out of the old Soviet Union, where all sorts of enterprises would have been inclined to declare their dedication and support for the current 5-year plan, no matter how remote from their competences, the Opera House at Glyndebourne has taken it upon itself to teach the young a thing or two about climate:

Exhibit (1)
'Gus Christie Executive Chairman Glyndebourne Productions Ltd said:
“The wind turbine is part of an environmental ambition for Glyndebourne and is a response to the global climate threat. We are proud that the turbine will make a significant contribution towards the achievement of renewable energy targets within this region. As an internationally renowned opera house, we want to use our profile to encourage other businesses and individuals to preserve the environment. Climate change is a certainty in our lifetime and we all need to take responsibility for this.”

Exhibit (2)
'Nationally over 15,000 people participate in Glyndebourne’s annual Education Programme.  When the turbine is operating in 2010, Glyndebourne Education will undertake a project focusing on the environment and creativity, using the turbine as its foundation in primary schools within a 25 mile radius of Glyndebourne.  This project will be implemented throughout the school year and is expected to involve over 4,000 children.  For all other ongoing community projects appropriate emphasis will be given to Glyndebourne’s environmental strategy. Glyndebourne will engage its Youth Groups, with over 100 participants aged eight to 18, in making the turbine the focus of their programme in 2010. Glyndebourne will also give talks about the turbine to the 3,500 students attending its performances for schools and ensure that the turbine will form part of our Opera Experience workshops enjoyed by 2,500 primary and secondary students each year.

Both exhibits found here:  glyndebourne.com/news-article/wind-turbine-proposal-press-statement

All this will go down well enough in the upper echelons of the BBC, the Royal Society, the Labour Party, the Green Party, and no doubt quite a few other playpens for the political class.  But it will not go down well with the people and councils of Sussex who opposed the turbine and had their views squashed by Hazel Blears acting for a government 'back in the day' that did not hesitate to push climate alarmism for political advantage - even to the point of deliberately frightening children.  And it will not go down well with anyone who is familiar with the diseconomies of windpower, nor with anyone who is familiar with the profound weaknesses of the case for alarm over human impacts on climate.  Nor with anyone who does not care to see the skyline of the Downs needlessly and extravagantly industrialised at the expense of electricity consumers, raptors, bats and others at risk from the blades.

Pic credit

Much as I love opera, much as I would dearly love to go to a performance at Glyndebourne, I can only wish them maximum embarrassment from this venture.  I predict the thing will be dismantled within 5 years, and after that, if not before, I hope the Opera House will devote itself to opera, and not to being a victim of political activists nor to being a pusher of child-unfriendly and scientifically absurd alarmism over CO2.



 Melodramatic posturing around 'the global climate threat' might make for an amusing light opera, but it will not make for good education.

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